

I took a quick look and it doesn't seem to be a common recording so here it goes. But so is everything else, and it really is ok and doesn't even seem very far off the master. It's an odd mix, maybe a monitor recording for the rhythm section certainly the bass and drums are quite present. But I just gave it a listen and was suprised to find that it's really very good.

I didn't originally like the quality and gave it a "good" rating, sort of 3 out of 10. I hadn't, but i did have a soundboard of that show.
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Uploader's Comment: A comment from rtalwani on my Blondie torrent asked if I had taped them in 1979 at the Palladium, with Fripp. (The vinyl had no "bands" between tracks at all, a not uncommon situation with vinyl bootlegs.)Ġ9) (I'm Always Touched by Your) Presence, Dear It didn't really need a split between the first two tracks, but since the artwork listed them separately, I went with it. Sides 3 & 4 have also been released as a bootleg called Little Doll (Barbie Records), but that material is either King Biscuit Flower Hour or officially released material. This offering represents Sides 1 & 2 of a double LP bootleg, also released as a single LP bootleg called Headlines (Lunar Toones/Australian Light & Magic). Debbie and the boys are tight, with a little more dirt under the fingernails than on the studio albums. The source is stereo, evidently a reasonably well balanced soundboard mix. Slight hiss is evident from the source tape and/or the PA system and amplifiers, but the fidelity, recording, editing, and performance are all very good without any "for the time period" caveats. Some clicks, pops, and other vinyl artifacts will remain. When I found myself repairing flaws I could see but not hear, it was time to stop.

I think I got all the big ones, and a mess of the smaller ones, over several weeks.
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The only signal processing applied to this recording was manual click removal. LINEAGE: Vinyl LP > Technics SL-DL5/Shure V15HR-P > Zoom R16 > WAV > Audacity > TLH > FLACĠ7 - (I'm Always Touched By Your) Presence Dear (2:24)
